GraniteRocks: Creative Cycles

wallowas1Just a reminder that “GraniteRocks” is the name for today in the EcoLogical Calendar: A New Way To Experience Time for 2009.

Lots stirred up in this chapter of 12 Secrets Of Highly Creative Women by Gail McMeekin. I recognized “where I am” in these words about the void–that fallow season in one’s creative cycle–or, what I see as the place of Unknowing, Uncertainty, and Mystery in our broader life (Change!):

While we long to restore the old, its time has passed, even if we wish otherwise. Such passages force us to redesign our internal selves and often produce surprising results. But they also involve loss, grief, despair, as well as communion with our darker side. Change thrusts us into chaos, and it takes time to reorder things and find a new route. Courage is mandatory.

My home, community life, and relationship with the nature of a place is fundamental to my creative nature. So uprooting from Vashon Island to a new terrain also places me in the void. Realizing two years ago that it was time for us to leave Vashon (when I’d been fairly sure we’d never move again!), to almost moving back to our former home in California (my grandparents’ house) to ending up here has been quite a journey! I also realize that my next creative cycle has everything to do with where we end up homesteading.

So, this morning I woke accompanied by the familiar weather system of loss and grief. Often I enjoy starting the morning by dreamtending, or just reflecting, before getting up and outside to my sit spot. Today, though, with that sadness just drooping through me, I thought to myself: What can I do to be really excited to start the day? Just reflecting wasn’t going to do it. So I grabbed my iPod, found an HerbMentor interview with herbalist Lesley Tierra, and soon I found myself excited by what I was hearing and what I was learning about.

Then it was outside to my sit spot–a so-called “core routine” for nature awareness as offered by Wilderness Awareness School and the Kamana Naturalist Training Program, which I pursue. The Sit Spot routine is simply sitting in one place outside, and absorbing what’s happening around you. Other practices become bundled into this routine–sense meditation and offering Thanksgiving. The twin practice of Sit Spot and offering Thanksgiving is a profound spiritual practice, and one I find essential to cultivating an “upright mind” — clarity, inner peace, spaciousness.

When I’m feeling pretty miserable, like this morning, I make sure to get out there and, yes, offer gratitude (and, oh boy, it’s a challenge to do this, much less to truly mean it, when I’m down!). At one point, that depression just hovered in my lap, truly that lump of something (as in: “Yuck!!! What are those hens eating this time????” “Just another lump of something.”). At that point, I leaped to my feet, ran across the neighbors’ yard and up the hill.

From the top of that hill, the mountains just revealed themselves in a ring, and I truly felt myself in the presence of ancient beings. As I watched a low fog waft through town below, those mountains remained present and clear. Eventually, I wandered about (scaring some mule deer resting under some spruce and Ponderosa pines), and listened to the myriad birdsong beginning: the cheery-up of the American robin, the long liquid song of a song sparrow, the chick-a-dee-dee-dee of the (you guessed it) mountain chickadee, and the beep-beeps of the nuthatch.  I entered our home, perhaps not totally cheerful, but comforted by the round of the morning beginning, the beauty of the world around me. Homesick, I thought. No place feels like home. So the challenge and opportunity is to discover how I am always at home.  My Sit Spot and Thanksgiving practice, cleaning the house, loving my family, hanging out with the chickens, loving the nature around me, and being mindful of my food–creating a nourishing nettle infusion to sip for the day–all help me to return to myself.

And trusting in what I love right now.  I love learning about herbs, and imagining how our bodies are singular ecologies, just as the area of my Sit Spot, and this town, and this valley, and this part of Oregon and so on are concentric rings of singular ecologies, each telling their own story which is also my story.  I love asking myself questions, and bumping around in Mystery, glimpsing a paradigm shift in my inner being, and attempting to operate from that new alignment (my Medicine Tree).  I love to write (this blog, my children’s magical nature novel), I love to imagine a rewoven culture, with all of us living from the heart of our nature, connected with the unique nature of of our place, and really understanding its language, speaking it, singing it, dancing it, living it.  I love to imagine that our ancestors and the mountains can speak to us, and then actually hear those words and songs.  Really.  I’m imagining our forest-and-farm home on Vashon Island, WA and my village, and my grandparents’ house in San Mateo, CA–that place of grace and heritage–and this beautiful, kind, wild home that is our new nature in Joseph, Oregon–all of these amazing places as one place.

How does that change everything?  If the sisters of my women’s circle on Vashon are, say, visiting in those empty-for-the winter guest cottages across the street?   Or if my friend Kara and her husband Hawk are hanging out at Mad Mary’s four blocks away in downtown?  I might create a forest-and-garden infusion for these my friends, and some fresh baked kamut-amaranth-quinoa bread, and just hang out with them.  Okay.  So they aren’t here.  What are the small things I can do instead?  Deliver a dozen eggs to one of our new friends who owns and operates Wild Flour Bakery, and enjoy some coffee, a lunch roll or pecan roll, and conversation with him in his shop.  Email or phone a circling sister and imagine (with her) that we are sharing tea as we converse.  Maybe even light a candle as we talk.  Groove out on Kara and Hawks’ blogs and websites and sprinkle comments here and there.

I realize that I’ve always reimagined my reality, but have always grounded it exactly where I am (so the huge palm tree in my suburban backyard when I was growing up, became the gateway to the Magic Queen’s realm for myself, and whoever would come along with me).  Why stop now?

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Medicine Dreams And Risk Taking

I’ve been dreamtending in my own way for years. As a result, my dreams now tend me. When I experience a “pay attention” dream, that dream will wake me up when it ends, and I’ll feel a certain sensation in my body, like being pulled through layers of air or molasses or reality. Then I make sure to just sit with that dream, and feel the images in any way I can, and eventually write the dream down. It’s usually pretty darn clear to me that I’ve experienced a medicine dream.

So it was last night, in that “elder-into-mystery” period of our night/day cycle that is midnight to around three a.m., that vision time. I felt myself pulled out of the dreamtime and into waking. The dream:

renfairedeersmallI am visiting a friend at a well known wilderness awareness program. A gathering of students of all ages is taking place, and the founder of the program is present. Spontaneous groups of children and adults go up to this naturalist and he intuits an animal name for each person. I decide to join one of these groups and see what name emerges at this time. I’ve had several different nature names over the years from participating and assisting in these nature awareness programs–Northern Flicker, Raccoon, Great Blue Heron …. Each name was like making a new bird or animal friend. And of course I have my own true name, one that the forest gave me. What name will emerge now?

As I approach the Naturalist, I discover that as part of the choosing or discerning of the name that we each carry an item that somehow represents our medicine bundle or something of ourselves. I find that I am carrying a small African harp. It is “antler”-necked, that is, having two curving wood necks, with three strings attached to each neck. The “antlers” join to a sounding bowl–a gourd or tortoise shell–that is covered with goat or deerskin and rimmed with cowrie shells. The harp, skin, and cotton thread strings are stained dark purple.

The Naturalist takes the African harp and holds it up. “Deer,” he says, studying the body of the harp, which is the ‘deer head’. I realize–as does he–that we’ve met some time in the past, when I’ve had this harp, though I don’t remember the details of that meeting. “I’ve seen this before. Singing … Singing bowl …” He gazes again at the ‘antlers’. And now he homes in on the name, “Singing Deer,” he says, handing the harp back to me.

I am astonished. I had never expected him to discern my true name! I start to tell the story: “The forest gave me the name. It was when I was totally distraught …” I stop. No one needed to hear the story. And it was no momentous visionary thing that a human had discerned that name. This Naturalist had been trained as a scout, and he had developed incredibly acute awareness skills. With his memory and awareness, this matter of name was just obvious to him. It was like putting a 100-piece puzzle together, or solving a two-minute mystery.
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When I’m pulled awake, I ponder this speaking of name and I ponder in particular the nature of the “antler-necked deer harp”, the African harp. For me, this harp in this dream speaks of deeply ancestral ways and knowings, and the rhythms and sweet sounds of the heart of our nature. I realize that even as I’m pulled to study herbalism and other threads of healing, that at the heart of my learning journey must remain honing my skills of awareness, of the natural world, of the ancient technologies of whole and healthy culture that is indigenous to all of us, and my own inner peace–who I am in the heart of my nature/Nature herself.

And I decide to take a risk on behalf of my Medicine Woman self: to start signing my web messages with my outer and inner names. Whoo hoo, such a big step :-). As I do so, I realize that my Risks don’t really feel too much like risks anymore, when I step into the ah-ha form of them. They may feel filled with weather when I first consider something about them, and worry, and “oh, what will people think?”, but when I step into the right timing, proper understanding of them, it’s just an “Oh, of course. It’s time.” My inner village of selves has all come to consensus, one mind and heart. My antler-necked deer harp offers me the medicine bundle and music and arrows to take action. I don’t fully understand the nature of this harp–how can I? But I feel in all my cells and being how it is me.

In the lovely way that life affirms our “ah-ha moments”, I wandered out in the snow this morning to my sit spot (where I engage in sense meditation, nature awareness, and thanksgiving). I noted that a deer had come by–browsing on the alfalfa bale we’d left out to offer as “winter greens” for our chickens. Nice that it was also feeding the deer! After some time at my sit spot, I felt the urge to spring to my feet and run like a deer. I did so, and immediately noticed a stag at the end of our fence line, watching me (so much for my awareness!). I stopped, then watched him, as he walked slowly away from me.  He then sped into that graceful gait that is like water. He trotted along the deer path I know well, past the mountain ash, across the street (setting a neighbor’s dog to barking) and disappearing into the neighborhood. A three-tined antlered stag.

~blessings to you from the Medicine Tree,
Jane-Singing Deer

This image is from the internet. They are two small harps from Kenya, a double-necked 6-string harp on the left, a single-necked 3-string on the right.

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